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De Mulieribus Claris

Giovanni Boccaccio
1539
Printed by Matthias Apiarius

Popess Joan – A Medieval Legend and its Afterlife

by
Ursula Kampmann, translated by Julia Fischer

Boccaccio dedicated the 99th chapter of his book about the famous women to “Popess” Joan. But did she really exist? And if not, why has this figure survived to this day?

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Émile, ou de l’Éducation

Jean-Jacques Rousseau
1762
Published by Jean Néaulme

The Perfect Childhood

by
Teresa Teklić, translated by Rachel Agard

Imagine spending your childhood in the countryside. You can run around barefoot and play as much as you want, without any grown-ups telling you what to do. Sounds like a dream, right? Rousseau thought so too. Some of his contemporaries weren’t convinced and burned his books.

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Complete collection of the 114 Neujahrsblätter of the Zurich Feuerwerker-Gesellschaft from the years between 1689 and 1758

1689

The Single-Leaf Prints of the Zurich Feuerwerker-Gesellschaft

by
Ursula Kampmann, translated by Maike Meßmann

Zurich didn’t have a standing army, instead, the city had a citizen militia that mastered the difficult discipline of artillery. The so-called “Gesellschaft der Constaffleren und Feuerwerker” (Society of Constables and Ordnance Technicians) was responsible for the militia and issued wonderful single-leaf prints on the occasion of the New Year. These prints tell us what you needed to know in early modern times to be a successful artilleryman.

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Amtlicher Bericht über die Industrie-Ausstellung aller Völker zu London im Jahre 1851 von der Berichterstattungs-Kommission der Deutschen Zollvereins-Regierungen

1852

The Great Exhibition of 1851

by
Ursula Kampmann, translated by Maike Meßmann

The first World’s Fair was the first international exhibition showcasing industry and commerce, and a promotional event for international free trade. The German Customs Union commissioned a report on the event covering 2,522 pages.

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Carmen

Prosper Mérimée
1947
Published by André Gonin, Illustrated with 29 colored woodcuts by Marguerite Frey-Surbeck

Love Is a Rebellious Bird

by
Ursula Kampmann, translated by Christina Schlögl

The figure of Carmen known from the opera is not an invention by Georges Bizet, but Prosper Mérimée. In 1947 the female artist Frey-Surbeck created the illustrations for our luxury edition of his work and shows us how the role of the woman changed in the 100 years since Mérimée.

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